HIRING A CREATIVE PROFESSIONAL FOR YOUR WEDDINGLike many brides and grooms, your wedding could be the first time you’ll be hiring a creative professional. You might think the ins and outs of working with a wedding photographer are as simple as writing a check. What could be so difficult, right? But just ask any talented pro, and you’ll get a grateful explanation of why it’s so important to truly understand their creative process.

How you manage your relationship with a wedding photojournalist can have just as profound an impact on the photographs as the day unfolding before the camera. Luckily, you and your photographer both want the same outcome: amazing photos that capture the feeling of the wedding day.

“One of the best things about being a wedding photojournalist is that….one can capture life as it happens without restraint,” WPJA award-winner David Crane says. “At a great wedding everyone wants me there, wants me to capture those fleeting moments, and will appreciate them for years to come.” Learn how to be one of those couples. Our award-winning wedding photojournalists offer their best advice on getting the most out of your photographer.

FOCUS ON THE CREATIVITY, NOT THE BUSINESS

Wedding photographer Dave Cheung recommends focusing less on the business process and more on the creative one when you’re working with a wedding photojournalist. Of course, you’ll both sign a contract, and ultimately there will be details relating to the types of packages purchased, the number and format of proofs, schedule, costs, and possibly album design, but that should all be secondary when it comes to selecting and working with your creative professional.

Cheung advises that when it comes to hiring a wedding photojournalist, one should not get bogged down with comparing the details of various packages. “It doesn’t matter how many pictures you’re going to get if you don’t first understand how he or she is going to capture your wedding day,“ he states. After all, what difference does it make if you’re getting 100 proofs or 500, if you don’t love the photographs?

Once you’ve made your decision, remember to take care of all those pesky business details before the wedding day arrives. Your photographer needs to be truly present, prepared to capture your moments, and not preoccupied with tracking the types of photographs he’s taking or worrying about collecting payment.

FEED YOUR WEDDING PHOTOJOURNALIST WELL

Even the hardest working photographers need to eat. You know that woozy-can’t-think-straight-lightheaded feeling you get when you haven’t eaten, and you’re on your feet all day? One of the last people you want feeling this way at your wedding is the person with the responsibility of capturing your most special moments for posterity.

Of course, you’re busy with all of the planning, but remember that your photographer will be with you all day, capturing every graceful move, and unless you think ahead to arrange a hot meal, he or she, or an assistant, may have to physically leave the premises in order to eat. It’s just another tiny detail among hundreds, but this one is worth remembering.

WPJA award winner Matt McGraw feels so strongly about this point that he designed his contract to clearly state he needs time to eat. “I’m with you all day long,” says McGraw. “You might as well give me some food…some good food. Not a croissant sandwich and some chips.” (See “How To Starve Your Wedding Photographer: A Field Guide,” in the September/October 2006 issue of WedPix.)

  

Reklamer